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The FREDA Centre
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The Media, 'Race' and Multiculturalism
Yasmin Jiwani, Ph.D.
A Presentation to the BC Advisory Council on Multiculturalism
March 17, 1995
March 21 has been designated as the International Day for the
Elimination of Racism by the United Nations. It commemorates the
Sharpeville Massacre in South Africa, in which hundreds of peaceful
demonstrators, protesting against Apartheid, were brutally fired upon
by the police. Sixty-seven people were killed and 186 wounded. Among
them were 48 women and children.
What made the police fire on this group of demonstrators? What were
the kinds of images of black Africans in circulation in the dominant
media of the time? Historically, there is ample evidence to show how
images perpetuated in mainstream, dominant media are used to justify
the annihilation, domestication and containment of subjugated
peoples. Clearly, in the South African case, a case in which racism
was openly justified, legalized, and perpetuated by the institutions
of society, the media worked in concert with these institutions to
put forward a view of black Africans as people who were dissidents,
people who had to be contained, and if they threatened the white
power structure in any way, had to be killed. If one looks back at
other horrific situations, situations in which people were killed
because of their differences and what those differences meant, one
notices again the powerful role played by the mass media. In pre-Nazi
Germany, Jewish people were negatively characterized in the
mainstream press. As Mary Mouammar has argued:
The foundations for the Holocaust were laid by German
caricaturists who depicted the Jews as serpents,
defilers of Aryan maidens, wealthy through the
exploitation of the Gentiles, and traitorous to German
interests. In short, they were seen as different, and
that made all the difference in treating them as less
than human. (1986:15)
These representations paved the way for the horrors that followed,
they legitimized the genocide of millions of people by constructing
these people as being less than human, as "deserving" to be
annihilated. For if a particular people are constructed as a threat,
then in the interests on national sovereignty and national security,
it becomes incumbent on those in power to get "rid" of this threat by
whatever means possible. Naturally, the media are critical agents in
this process because they play a major role in shaping public
opinion.
Use of the media is one of the primary ways that those in positions
of power can justify, legitimize, and gain support for the actions
they take. This is because, as Stuart Hall has noted, the media are
"structured in dominance." They are a powerful institution populated
and controlled by the elite who then liaise with other elites to
maintain the status quo. The media are among the richest
organizations in this society. They constitute a monopoly of
knowledge, and through their practices of selection, editing, and
production, they determine the kind of news we receive about our
nation, culture, and the rest of the world.
When one looks back at the colonial past, the dominant and elite
character of the media become more apparent. Between 1815 and 1914,
direct colonial domination of the world expanded from 35 percent to
85 percent (Said 1979). Canada was a colony of the British Empire. A
critical aspect of colonialism was the subjugation of indigenous
peoples. This was accomplished through processes that emphasized the
destruction of: indigenous economies, traditional lifestyles and
cultures, religious traditions, educational institutions, and
normative frameworks for the distribution of justice. With this
destruction came the imposition of colonial ways: colonial systems of
education; governance; justice; the religions of the colonized, and
economics, which justified slavery; indentured labour, and
subsequently wage labour.
This process was buttressed by the formal and informal institutions
of colonial powers. The media were crucial agents in circulating and
perpetuating images of colonized people as being inferior, as savages
from a bygone era, as requiring civilization, as being heathens, etc.
The media thus played a pivotal role in providing the legitimation
and justification for conquest and colonization. For if a people were
deemed as being savage, then it was incumbent on the beneficence of
the colonizing powers to civilize them; if they were seen as bygone
relics of the past, then it was incumbent on the colonizers to rescue
their past and preserve it for the sake of history. And if a people
were deemed as being inherently inferior, then this naturally
required the colonizers to take over their countries and to guide
them on the path of progress. These were the messages communicated in
the media of the day, through novels, travelogues, the press, and
journals. (See for instance, the writings of Katherine Mayo, Rider
Haggard, and others.) Naturally, there were more informed and
critical currents of thought, but these were often marginalized
within the dominant discourses of the day.
The Present as Rooted in The
Past
In part, the contemporary media coverage of people of colour is
rooted in these colonially inscribed filters. As in the past, the
media today fulfil the following functions:
1. They shape public opinion by
defining issues, setting the agenda,
and framing the parameters and categories of thought.
2. They influence policy makers
by supposedly presenting the view of
"the people" - a view that they themselves shape.
3. They influence our socialization
so that we come to know, through
these images and definitions, where we stand in the social order, the
formal and informal rules by which that order is governed, and how to
become good consumers.
4. They forward a particular
view of the world which "makes sense" of
the reality around us, and which evokes within us an appropriate
response - a response which also makes sense. Hence, if we are
constantly confronted with images of immigrants who are criminals,
who will not assimilate, and who are opportunistic, then this evokes
within us the "appropriate" response that these immigrants should not
be allowed into the country.
5. The media are profit-making
industries. They will sell whatever we
buy or wish to buy. Thus, they sell us to advertisers as potential
consumers, and they serve for consumption whatever they think we
desire to know.
Contemporary representations are framed within these larger
functional parameters, but are grounded in the historical tradition
of representations of colonized peoples. The base grammar of such
representations cohere around notions of people of colour as being
inferior, as being less capable, less able, as having barbaric
practices and traditions, as threats to the cultural, social, and
economic order of the nation.
The Canadian media have a strong history of representing non-British
or non-French immigrants in highly negative ways. The history of
Ukrainian immigration, Jewish immigration, Polish immigration, and
the treatment meted out to communist individuals is indicative of the
level of intolerance that inheres in our historical heritage. But
this strong anti-immigrant sentiment has been infused and exacerbated
by racist sentiments, which themselves are also part of the Canadian
cultural identity and history.
As in the past, immigrants who are people of colour are still seen as
a threat. For example, in the 1920s, local commentator John Nelson
wrote:
British Columbia is one of the last frontiers of the
white race against the yellow and the brown. It is a
land where a hoary civilization meets a modern one, and
where the swarming millions of ancient peoples, stung
into restless life by modern events are constantly
impinging on an attractive land held by a sparse thousand
of whites ... a community which stands at the sea-gate of
the northwest Pacific and holds it for Saxon civilization.
(Cited in Buchignani and Indra 1985)
By 1977, the Vancouver Sun was articulating the same sentiments
(Indra 1979). Subsequent studies have revealed similar findings.
Immigrants are seen as a threat to the cultural order because their
own cultures are considered to be "problematic" - either as exotic
residues which can be brought out of the closet and celebrated
periodically, or as residues of the past which have no meaning in
contemporary society (Moodley 1983; Peter 1981). More particularly,
the cultures of people of colour are seen as tradition-bound,
backward, and oppressive as compared to the liberal, progressive, and
contemporary nature of Canadian society.
Immigrants who are people of colour are often represented as being
non-assimilable - not wanting to or having the capacity to be "like
us." They are represented as taking advantage of the benevolence of
the Canadian government by "demanding" resources to maintain their
cultures (despite the fact that they are taxpayers who contribute
more in taxes than native-born Canadians). More recently, this view
has taken on yet another insidious twist: immigrants who are people
of colour (read "multicultural") are threatening to tear apart the
fragile fabric of Canadian identity. This implies that there was a
strong sense of Canadian identity to begin with, and that recent
immigrants are diluting and fragmenting it.
Immigrants who are people of colour are also seen and represented as
an economic threat, either taking away jobs from well-deserving
Canadians, or sponging off the welfare system (Ducharme 1986).
Interestingly, the highest levels of immigration occurred in 1913,
when Canada accepted 400,870 immigrants. Yet, the press at that time
did not focus on these immigrants as taking away jobs or as taking
undue advantage of the kindness of Canadians.
The framing of immigrants who are people of colour as economic
threats is made apparent in the media's representations of
Asian-Canadians as opportunistic businessmen, buying out Vancouver.
In 1989, Asian investment in British Columbia ranged from 20 to 30
percent. The remaining 70 percent originated elsewhere. Yet the
Vancouver Sun's coverage constructed a completely different
impression. In 1988 alone, the Sun published 659 stories on Hong
Kong immigrants and their investment in real estate (Bula 1989). This
constant proliferation of stories served to create and entrench a
stereotype which still abounds and which has undoubtedly deteriorated
the social relations between different ethno-racial groups.
Immigrants who are people of colour are represented as a social
threat. As gangs, criminals, bogus refugees, and illegal immigrants,
they are presented as threats to the social order, as being unwilling
or unable to obey the laws of the land, and as having a painful
disregard for the compassion and goodwill of Canadians. Story after
story in the local and national media sensationalizes the stream of
illegal immigrants and bogus refugees that are entering the country
and of criminals who are not being deported because of the failure of
the Immigration and Refugee Board. However, a recent study by David
Matas of the Canadian Council of Refugees, found that from 1989 to
1994, only 38 individuals out of 122,000 processed by the Board
actually defrauded the Board (Vancouver Sun, March 16, 1995). Yet,
this little bit of critical information was embedded on page A6 under
the heading, "Tales of refugee fraud not true, lawyer says," - this
compared to the front page bold headlines usually reserved for those
immigrants and refugees found to be criminals of one kind or another.
Throughout most of the coverage in the dominant media, there is an
"us" versus "them" dynamic at play. "They" are the illegal immigrants
and bogus refugees; they are the reason we have crime; their cultures
are backward and traditional; they oppress their women. By contrast,
"we" Canadians have a progressive, dynamic, and egalitarian culture.
"We" are honest and law-abiding, and "we" as a nation had no crime
until the arrival of these immigrants of colour.
Against this backdrop, multiculturalism is seen only as referencing
the cultures of people of colour. These cultures are seen as being
visible, since they stand out against the invisible white background
of the dominant culture. And that culture is as very much alive today as
it was in the past. Most of the institutions in this society are
rooted in the cultures of the Charter groups - the French and the
English. The judicial system, the educational system, the economic
system, the familial structure, the linguistic systems - all of these
are the fibres of the British/French culture, depending on which part
of the country you happen to live in. But these cultural
institutions are not seen as "cultures" per se. Why? Because culture
is only relegated to the visible signs of food, clothing and art and
the difference of these signs from the dominant cultures marks and
separates them out for special attention. It is in the interests of
the dominant culture to have these visible signs of other cultures
defined as "culture" and "multicultural." In this way, their power to
define is rendered invisible as is their institutional power to
determine where these groups fit within the larger social structure.
For if you have "multicultural" groups out there, then you can point
to them as representing those groups who will not fit; who are
non-assimilable; who are different and whose difference can then be
used in strategic ways. The reality that every group has a culture -
that there is an institutional culture, corporate culture, police
culture, etc., and that these cultures are sustained through a
variety of ways and resources, is negated and excluded by the
dominant culture and its systems of power.
This power to define extends to the realm of the media. For here, the
power resides with those who have the resources to tell the stories.
And who tells the stories about people of colour? Our negative
representation in the mass media is complemented by our
under-representation within media organizations. A 1986 survey of 20
English-language newspapers found that less than 2 percent of the
staff consisted of First Nations people, people with disabilities,
and people of colour. I don't believe the situation today has changed very
dramatically. In a study of the film and television industry in the
U.S. (which I cite here because 80 percent of our programming is
American), only 2 percent of the writers for these productions were
from minority groups. In the public sphere, people of colour make up
4.2 percent of the staff (most of them in contract positions) of the
National Film Board. Of the 70 feature films made in Canada last
year, only 2 were made by people of colour.
The reality is that we are not telling our own stories. However, when
our stories are told, they are used to frame us in ways which suit
the ideological interests of the dominant media. Thus, it is not
surprising to find that the only time when we are interviewed on
television newscasts is when the story deals with our communities
(Erin Research 1991; Generations Research 1988; Lazar and Perigoe
1989; Peac Research 1982). According to Erin Research, which compared
the CBC and a private station's newscasts, people of colour were only
interviewed in 3 percent of the domestic stories and most of those
stories concentrated on events within their communities. Since most
news is bad news, the only time in which we surface is when there are
problems in our communities, and hence cumulatively over time, our
communities are themselves seen as problems.
The media not only define us, but they communicate where we stand in
the social order. As Stuart Hall states, they communicate what "race
is" and how it is understood. If we are invisible in the nation's
media, and only visible as "problem people" framed in the categories
of crime, deviance, and disorder, then what are the implications for
ourselves and our children? Most of the research in the United States
and Britain indicates that the media play a critical role in shaping
the race relations climate. Studies also indicate that it is through
the media that children obtain a sense of how
acceptable/non-acceptable their racial identity is, and where they
are located in the social structure. The findings of these studies
indicate that we have to change the direction of contemporary
representations if we are to be counted as citizens, and as having a
valued place in the nation.
However, even more dangerous than negative representations is the
media's coverage and definition of racism itself. Racism is presented
as:
1. An emotional phenomenon that
can be rectified with the proper
amount of education, exposure, and perhaps even therapy.
2. An opinion which
individuals have the right to have and express in
their own circles. This allows racism to continue, and to flourish in
certain situation. Because it is located in the private domain, the
State is reluctant to intervene. In the media, individuals who are
overtly racist are often framed as being ignorant bigots who reside
in rural areas and who lack education. Once again, the antidote is
education and exposure. But this deflects attention away from
systematic racism - the racism one encounters every day and at every
level, the subtle racism which impedes people of colour from getting
jobs, housing, and which demeans their sense of self (see van Dijk
1993).
3. Racism is also represented
as a side-effect of too much diversity.
Its root cause is located in the rising levels of immigration of
people who are "different." This in itself is a racist supposition.
However, the antidote to which it logically points is: get rid of the
difference and stop the immigration of those who are different. Once
again, the racist character and practices of the dominant society are
evaded in this kind of explanation.
What Can We Do about the
Situation?
1. We can mobilize and
articulate our complaints through the official
channels or bodies, for example the CRTC, the Canadian Association of
Broadcasters, the press councils, etc. We can intervene at station
licence hearings. However, to be effective we need to work in
coalitions, in large groups. But even then, these regulatory agencies
adhere to the rules and practices of media organizations. They
support and uphold the principles of objectivity, balance, and
impartiality. These principles themselves are problematic. To present
a racist view and then counterpoint it with an anti-racist view
fulfils the criterion of balance, but presupposes that the two sides
are culturally, socially, and politically equivalent. Are they? I
don't think so. If racism is seen as a crime, as it should be, then
simply by pitting a criminal and a person against crime side-by-side
does not fulfil any criterion of balance, impartiality, or
objectivity, save that which is removed entirely from the social
world in which we live.
2. In 1984, Carol Tator and the
Urban Alliance of Race Relations in
Toronto, began a mail-back campaign in which they sent back all
flyers they received from the major department stores - on the grounds
that these flyers did not represent the communities that were being
served. Within a few months, the stores responded by using models
from different ethno-racial backgrounds. We can engage in a massive
mail-back campaign but once again, this requires that community
groups work together. And given that we are all fragmented by time
commitments, different interests, and different cultures, not to
mention different socio-economic backgrounds, this would be a
difficult task to undertake.
3. Boycotting is yet
another mechanism through which we can make our
voices heard. We are consumers of the media and as such, we can
exercise considerable power by refraining from consuming media
messages. This again requires working in solidarity and committing
time and resources which many of us do not have.
4. We can employ the legal route
as has been done by the Jewish
Congress. However, this is extremely time-consuming and very
expensive. The media can always rely on the freedom of speech
principle to evade taking responsibility over their messages.
5. We can lobby for effective
representation within media
organizations. This can be done through local government
representatives and by talking to the editors of various papers.
However, in these hard economic times we are likely to be told that there
is no money to hire additional reporters. Yet we can show support for the
critical and progressive writings of particular journalists who are
socially responsible.
6. We can actively support
progressive alternative media
organizations such as some of the community newspapers and cable television
stations. This would not include the North Shore News, but rather
papers like Kinesis.
7. We need a mediawatch
kind of organization that will monitor the
representations of people of colour; an organization whose mandate
would be to intervene at licence hearings and to lodge complaints with
the CRTC. Such a body would be able to present research and
articulate the concerns of our communities.
In the end, we need to monitor the media ourselves and to look
critically at the kinds of messages that are being put forward. For
ultimately, as in the old Westerns, we cannot afford to identify with
the wagon train that is supposedly being attacked by the Indians, but
rather with the Indians on whose land the wagon train is encroaching.
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